WHAT WE DO
LIVE EVENTS
Yungbluds new 2026 tour needed a set, so they came to us. The brief was to design and deliver a proscenium arch for a UK touring production, drawing direct inspiration from The Gates of Hell by Auguste Rodin. The concept centres on a monumental Gothic arch, towering over the stage to frame the performance and create a powerful sense of depth, drama, and darkness.
Working to a clear and ambitious brief from Vision Factory, the objective was to realise a structure measuring 12 metres high by 17 metres wide that balanced artistic ambition with practical touring requirements. The set needed to be structurally robust, efficient to assemble and dismantle within tight show-day schedules, and refined in its detailing to maintain a high-end theatrical finish
After our successful 2022 build of Sam Ryder’s stage set for Eurovision, we were engaged to produce sets for numerous nations including the UK.
Having the experience of the previous year, working with the designs supplied by the client we adapted and made sure they would work on the stage for the fast move on and off, all the while creating the impact the artist wants.
We also created the Presenter’s desk which was a prominent piece of the production as well as truss coverings for the lighting & sound rigs. The best thing is having returning clients and building on your work together.
EXHIBITIONS
We have had the pleasure of working with Lloyds for over 10 years and in 2026 they wanted a refreshed look, still incorporating current assets but elevate the design incorporating digital messaging.
We created a new ‘Header’ to create a gateway on to the stand and incorporated LED screens to each side of the stand.
A new central wall with the back lit Logo and shelving.
Client and stakeholder feedback has been amazing,one of the most successful and talked about NHF show for Lloyds in a long time.
The new design is being rolled out across all the exhibition schedule for this year and next with all assets being crated and stored with ourselves for smooth deployment.
Working with Legal and General for the first time, they asked us to create designs for both ACT & Eurofinance keeping within their set budgets.
We took inspiration from their offices around the UK and a common theme was wooden slats. They didn’t have a cohesive booth design that showed the brand at events.
We wanted to give them an elevated and high end look and feel. We approached the brief with a view to design a suite of assets that worked for both events and going forward to reuse on other shows.
This created an identity, consistency and a flexible suite of assets to carry forward for years to come.
EXPERIENTIAL
We had the honour of supporting our home town with Bradford 2025 City of Culture on several projects, one of those was The Loading Bay.
Making the old Marks and Spencer loading bay in to a multi use creative space for artists, musicians, exhibitions, and events. Transforming the space, to a safe, welcoming environment suitable for its new life. We completed the project by creating the outside area, all done in house, steel canopy, bench seating and planters.
TV / FILM / PODCAST SETS
Creating the entire set for Jimmy Carr’s new show on Comedy Central was a tall order…literally. Manufacturing one of the tallest sets on TV, all made to look like iron girders and concrete. Our Scenic team really pulled it out of the bag for this one. The team were also on site to install and derig the set once filming had finished.
Engaged by the production designer, they asked us to make the new commentary desk for the Pitchside Podcast studio. With podcasts now being broadcasted the need for sets is growing.
A small but smart project, the client and presenters were impressed by the finish and turnaround time.
Working with CPL Productions, we worked on the last 2 series of ALOTO, originally in Elstree Studios and then in Manchester. Installing and building new parts of the set and items for the games sections. A great show to work on and a real team effort with all the other companies involved in making a show with so many complexities.
THEATRE
Approached by Crossroads again to produce the full set for Peter Pan at the London Palladium. For a build of this size timing was key and we had a less than usual timescale.
For a full West End production of this scale, we called on all our specialised Scenic artists. The set pieces were huge and the entire workshop was dedicated to getting everything finished on time for rehearsals. Elements included LED show portals, with illuminated compasses, giant Neverland trees & mushrooms and Captain Hooks ship plus much more.
Producing the entire set for this production, we had to take in to account the outdoor location and the obstacles of working at the historic Hever Castle. Building the flooring with specialised paint finishes and print. Gantry set pieces and props. This was a great challenge and a one-of-a-kind production to work on in a specially constructed outdoor auditorium, offering an immersive experience in the very place where Anne Boleyn grew up.